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Biagio PupiniThe Abduction of the Sabine Women/ L'enlèvement des Sabines, ca. 1526Pen and brown ink wash with white gouache highlights, on (yellowed) blue paper with lining/ Dessin à la plume et au lavis d’encre brune rehaussé de traits de gouache blanche, sur papier bleu (jauni) doublé17.2 x 16.4 cm
6 3/4 x 6 7/16 in -
Girolamo Sellari, known as Girolamo da Carpi(Attributed to) Apollo and Calliope (Melpomene and Polymnia on the verso) , ca. 1532-1534Pen and brown ink12.5 x 9.7 cm
4 15/16 x 3 13/16 in -
Giulio Romano(attributed to) Candlestick Projet/ (attribué à) Projet de flambeauPen and brown ink wash on laid paper / Plume et lavis d’encre brune sur papier vergé12 x 6.7 cm
4 3/4 x 2 5/8 in -
Santi di TitoPortrait of Senator/ Portrait du sénateur Bartolomeo Panciatichi , 1574Oil on panel/ huile sur panneau110.5 x 85.5 cm
43 1/2 x 33 5/8 in -
Francesco VanniModello for the Virgin of the Rosary / Modello pour la Vierge du RosaireInk, wash and lead white21.8 x 15.8 cm
8 5/8 x 6 1/4 in -
Tiziano Vecelli, called Titian/ Tiziano Vecelli dit Titien(School of) Christ before Herod / (Ecole de) Le Christ devant Hérode, ca. 1570Black chalk/ pierre noire18.5 x 24.5 cm
7 1/4 x 9 5/8 in -
Baldassare Franceschini, called Volterrano/ dit VolterranoDouble-sided red chalk drawing on studio paper/ Sanguine double-face sur papier d'atelier21.5 x 30 cm
8 7/16 x 11 13/16 in -
Giovanni Mannozzi, called Giovanni da San Giovanni(Attributed to) Study of a Fate at mid-body / (Attribué à) Etude de Parque à mi-corps , ca. 1635Red chalk / sanguine25.5 x 19.6 cm
10 1/16 x 7 3/4 in -
Simone Cantarini, called il PesareseStudies for Solomon's Judgement / Etudes pour le Jugement de Salomon, 1643-1648Red chalk on paper/ Sanguine sur papier22.2 x 19.3 cm
8 3/4 x 7 5/8 in -
Antonio Tempesta (after/ d'après)A set of four hard stone marquetry plaques depicting animals, three of which after Antonio Tempesta/ Un ensemble de quatre plaques en marqueterie de pierre dure représentant des animaux, dont trois d’après Antonio TempestaMarquetry of marbles, slates and porphyry/ marqueterie de marbres, ardoise et porphyre16.5 x 22.1 cm
6 1/2 x 8 3/4 in -
Francesco ContiJudith Holding the Head of Holofernes/ Judith tenant la tête d'HolopherneOil on canvas/ Huile sur toile68.2 x 57.2 cm
26 7/8 x 22 1/2 in -
Francesco ContiSalome Holding the Head of Saint John the BaptistOil on canvas68.2 x 57.2 cm
26 7/8 x 22 1/2 in -
Rosalba CarrieraPortrait of Joseph Smith and Catherine Tofts as Thalia / Portrait de Joseph Smith et de Catherine Tofts en Thalie , ca.1710-15Tempera on ivory - tempera sur ivoire8.5 x 11.5 cm
3 3/8 x 4 1/2 in -
Rosalba CarrieraRinaldo and Armida / Renaud et Armide, ca. 1715Tempera on ivory3 1/8 x 2 3/8 in
8 x 6 cm -
Ubaldo GandolfiStudy of Nude Man/ Académie d'homme, Ca. 1770Red and white chalks/ sanguine avec rehauts de craie blanche29.5 x 42 cm
11 5/8 x 16 9/16 in -
Giacomo ZoffoliLaocoön and his Sons/ Laocoon et ses fils, 1775-1785Bronze with black patina/ bronze à patine noire46 x 36 x 16.5 cm
18 1/8 x 14 3/16 x 6 1/2 in -
Francesco ZuccarelliMacbeth and the witches - Macbeth et les trois sorcières, ca. 1760Oil on mahogany panel -, huile sur panneau d'acajou31.5 x 43.5 cm
12 3/8 x 17 1/8 in -
Giuseppe Bernardino BisonCaesar's landing in Brittany/ Le débarquement de César en Grande-Bretagne, ca. 1790Ink and grey ink wash over pencil line/ Encre et lavis d’encre grise sur trait de crayon16.5 x 24 cm
6 1/2 x 9 7/16 in -
Giovanni Antonio PellegriniStudy for a frontispiece/ Etude de frontispice, 1740-1741Pen and grey ink wash / plume et lavis d'encre grise29 x 20.8 cm
11 7/16 x 8 3/16 in -
Francesco Battaglioli(Attributed to) Baroque Interior/ (Attribué à) Intérieur baroqueIron gall ink and grey ink wash on paper/ Encre ferrogallique et lavis d’encre grise sur papier34 x 22.5 cm
13 3/8 x 8 7/8 in -
Francesco GalimbertiCostume of an envoy of the cities of the States of Venice/ L’envoyé des villes des Etats de Venise, ca. 1780Black and red chalks/ Sanguine et pierre noire25 x 19.3 cm
9 13/16 x 7 5/8 in
